Screen Dance

Amidst the challenges of the COVID-19 pandemic, I, like many artists, ventured into uncharted territories. This led to the creation of two distinct screen dance films: Knock-Off, a collaboration with Lorin Sookool, and Fellow, supported by the Jomba! Contemporary Dance Experience. These projects, along with the film Threads, created in collaboration with esteemed Mozambican artists Pak Ndjamena and Ivan Burros, signify a significant shift in my artistic journey.

Although screen dance has existed for quite a while, it has only recently gained substantial attention. My fascination with this medium originates from its impressive versatility in terms of accessibility and emotional depth. Screen dance is an intimate and expressive art form that forges new connections with audiences and captivates the interest of people around the globe. The presence of these dance films is merely the tip of the iceberg; I aspire to delve deeper into this captivating art form further, with the hope of embarking on a long and fruitful journey that extends beyond the confines of dance.

  • Threads (2023)

    The creation of 'Threads' was a collaborative effort, carefully crafted as part of a screen dance residency program. This program was generously supported by two esteemed organisations: the JOMBA! Contemporary Dance Experience and the Centre for Creative Arts. Two notable Mozambican artists, Pak Ndjamena and Ivan Burros, skilfully coordinated the residency, providing invaluable support and guidance throughout both the pre-production and post-production phases.

    “THREADS” radiates a vibrant and lively aura with its textured and colourful elements that embody the essence of earth, light, colour, and rhythm. The film offers a personal reflection of my emotions and experiences regarding the concept of home. “THREADS” explores the intricate threads that connect us- the ones that pass through us, dissecting and intertwining our lives. The film begins at the UKZN Howard College bus stop, highlighting the evolution of migration. It then journeys through various locations on the campus, leaving traces of our presence behind. From footprints to colourful beads, we decorated the space and left behind our (in)tangible essence. As our lineage is embedded and expressed in our physical forms, this film uncovers the invisible yet profoundly felt core of our humanity and history that connects us all.

  • Gift (2024)

    "Gift" is a film created in collaboration with Miwaza Jemimah, an accomplished Japanese filmmaker and photographer. The film explores the intangible gifts that come and go throughout life. It delves into themes of love, family, ageing, death, and existence, forming a complex web of our life experiences. The narrative reveals how the concept of gifts is often found in the most unexpected places. It weaves a story of resilience within memory and the body, reflecting on the idea that we cannot hold onto the precious "gifts" that life presents us.

    Credits:

    Conceived by: Kristi-Leigh Gresse and Miwaza Jemimah 

    Filmed by: Kristi-Leigh Gresse

    Edited by: Miwaza Jemimah 

    Sound design by: Miwaza Jemimah

    Performer and choreographer: Kristi-Leigh Gresse

  • Knock-Off (2021)

    "Knock-Off" addresses perceptions of femininity and the meaning of being "feminine." It explores how the definitions and expectations imposed on us at birth influence how we navigate the world, shedding light on societal “norms” and expectations of what it means to be born a woman.

    The project was conceptualised and created in 2021. 

    It was produced and directed by Lorin Sookool, with conceptualisation and choreography by Kristi-Leigh Gresse, supported by the National Arts Council.

  • Fellow (2021)

    This film explores an artist’s state of mind in isolation. It takes viewers on a journey through the complexities of the mind when separated from the community and thrust into solitude.

    Created during the Covid pandemic, when the world faced widespread lockdowns, this film reflects my personal struggle with being confined to a small room day after day. I found myself anxiously waiting to hear the President's words as he addressed the nation with, "Hello, Fellow South Africans," hoping that his next sentence would bring us closer to freedom from isolation. Unfortunately, the solitude continued for months, and the echoes of raging silence pulsed through my mind. 

    Dancer/Choreographer: Kristi-Leigh Gresse

    Film and Edited by: Kristi-Leigh Gresse

    Supported by Jomba! Comptampory Dance Experience and ArtSource 031

    Fellow was first created and screened at the Jomba! Contemporary Dance Experience 2020 as part of their Digital Edge Program. ‪@Jomba_Dance‬

“At the heart of my artistic practice lies a deep-seated curiosity about the human condition and our place within the broader ecosystem of existence. Themes of body politics, gender dynamics, environmental activism, and technology permeate my work, prompting viewers to contemplate the intricate web of connections that bind us to one another and to the world around us.”

— Kristi-Leigh Gresse